The overall goal of this work is to help classical guitar makers to have better control over the potential sound of their instruments. This is done by correlating changes in the vibrational behaviour of an instrument with perceivable changes in its radiated sound. Three strategies have been employed in this thesis in an attempt to accomplish this goal. An investigation is carried out on the vibrational properties and radiated sound of a classical guitar, steel-string folk guitar and a five-string...
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