On “period” guitars and 19 th century guitar music
Recently a number of very fine guitarists have decided to use “original” or “period” guitars for the performance of our 19th century literature. Indeed it was but a few short years ago that we viewed the pre-Torres early 19th century guitar as something of a primitive and inferior stage in the evolution of our instrument. These players have thankfully shattered this fallacy. I recently had the pleasure of hearing several such performers and became more convinced than ever that not only do these “period” guitars have the volume to fill a good-sized auditorium, but they also have their own unique quality and beauty! Yet, often times, in the process of shattering one fallacy, new ones are created and I am afraid that this might be the case in two areas of the use of “period” instruments in the performance of 19th century guitar...
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