Analytical perspectives on three groundbreaking composer for guitar: Villa-Lobos, Martin, and Britten
It can be said that Heitor Villa-Lobos, Frank Martin, and Benjamin Britten all have a musical aesthetic premised on tonal unity; however, each of these composers subvert the security of a homogenous tonal syntax by placingmechanisms of conflict into their musical language. This integration of chronologically distant musical structures brings about a conflict between old and new, and it is this conflict that is vital to all of the music examined in this study. When the coexistence of old and new structuresis irreconcilable, the analytical approach taken is tailored to address this conflict as a continual disunity. However, the coexistence of chronologically distant structuresmay also be ameliorated as well, through analytical approaches that, in some respects, unite elements of old and...
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