An Interdisciplinary Study of the Timbre of the Classical Guitar
This dissertation proposes an interdisciplinary approach for the study of the timbre of the classical guitar. We start by identifying the static control parameters of timbre, relating to the structural components of the guitar and the dynamic control parameters of timbre, relating to the gestures applied by the performer on the instrument. From the plucked string physical model (obtained from the tranverse wave equation), we derive a digital signal interpretation of the plucking effect which is a comb filtering. Then we investigate how subjective characteristics of sound, like timbre, are related to gesture...
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