The thesis is divided into two parts. Part One charts the rise in popularity of the guitar in early-nineteenth-century Europe, shown to have its origins in mid-eighteenth France and the advent of the style galant. It examines critically the guitar's place in the musical life of the time, its repertory and performance, and the role it played in Romanticism. The ideological reasons why the instrument faced derision and exclusion from bourgeois institutions such as music journals and musical academies are also investigated...
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