Expressing Ourselves: Carcassi Op. 60
(...While we may also acknowledge that the guitar, with its technical idiosyncrasies and relatively limited dynamic range, is perhaps not the most facile instrument upon which to express detailed dynamic nuance,1 this is all the more reason that musical expression be a central aspect of our pedagogy. With this in mind, I would like us to take another look at one of the major study sets of the nineteenth-century guitar repertoire, a publication that, unusual in the didactic repertoire for the guitar, contains copious detail of marked expression—Matteo...
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