Toward a History of the Institutionalization of the Classical Guitar: Vahdah Olcott Bickford (1885–1980) and the Shaping of Classical Guitar Culture in Twentieth-Century America
This dissertation has two primary aims: to demonstrate how women guitarists have been the primary advocates for the construction of a guitar-specific institutional landscape, and with a specific focus on American guitarist Vahdah Olcott Bickford (1885–19890) to narrate the history of the establishment of local guitar societies across the United States. Although guitar societies have become ubiquitous in the early twenty-first century, the formation of the first American guitar society in 1923 was a byproduct of women guitarists’ entrance into the workforce and of the longstanding tradition of women’s philanthropy and voluntarism in the arts. Furthermore, the guitar society model derived from national and international institutional precursors. The most important of these precursors were the American Guild of Banjoists, Mandolinsists and Guitarists (BMG Guild) and the German guitar societies that emerged between 1899 and 1910. I argue that guitar societies allowed amateur and professional classical guitarists to break from the multi-instrument values fostered by the BMG movement in order to organize and focus their efforts on solely promoting the classical...
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