Here is another famous Romantic piece that Tárrega had arranged, and I added my own input, particularly with the trills. I believe that if the technique of the cross-string trill were around in Tárrega's day, he would have used it liberally. To me, the ability to sustain a trill and even shape it dynamically is a valuable tool in arranging certain piano pieces. I recorded this at the same time I recorded the Raindrop prelude, and really liked the sound of the guitar down a 1/2 step, so I kept it there! Guitar by Martin Blackwell (Spruce-cedar, balsa-core) Strings: Regal Blue by Augustine