The baroque guitar in France,and its two main figures: Robert de Viseé and François Campion
The baroque guitar in France is a wide-ranging subject, and although theses and dissertations have already been written about it, much still remains to be said. The following is merely a synthesis of what seems to have been the course of the instrument in France, from the 1600s to the end of the eighteenth century.
The four-course "Renaissance guitar" was quite well developed in France in the mid-sixteenth century, where it had reached a very high musical level, often requiring quite a skilled playing technique. But, astonishingly enough, there does not seem to be a link, in France, between this fourcourse guitar and the five-course instrument, the so called "baroque guitar". In fact the latter does not appear to ...
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