Most discussion among players of the modernclassical guitar regarding the early 19th century guitar has been backward looking, that is, either looking at ways of playing this repertoire on a modern instrument in a modern style, or how to imitate the stylistic
features of the period on a modern guitar. I will focus instead on coming towards Sor andhis contemporaries from before their period, asclearly each age either develops what has gone before or rejects it completely and strikes out in a new way. I will therefore...
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