This thesis argues that the context within which prominent Spanish composer Joaquín Rodrigo (1901-1999) composed for the guitar was largely affected by the role of neoclassicism between the late-nineteenth and mid-twentieth centuries. This will be traced through an examination of the events and figures that contributed to the development of Spanish neoclassicism during the period. While a substantial body of literature exists regarding the engagement of French and Spanish musical nationalism with Stravinsky’s neoclassicism, little has been written about how these events came to affect composers of the classical guitar after the Spanish Silver Age in the 1920s. A key composer in linking the neoclassicism of Stravinsky and the French with the development of Spain’s musical landscape was Manuel de Falla...
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