Biblioteca de la Guitarra y Cuerda Pulsada

This dissertation provides an analysis of Concierto de Aranjuez (1939) by Joaquín Rodrigo (1901-1995). Chapter 1 will introduce the purpose of this research, research questions, methodologies, and a brief history of the guitar. The main research question is how to resolve problematic issues of Concierto de Aranjuez in general, and the dissertation provides solutions in terms of technical and musical issues. This chapter also discusses the technological development of the classical guitar and amplification issues in the concerto context. At the end of the chapter, a short biography of Rodrigo and the historical background of Concierto de Aranjuez will be provided. Chapter 2 is a literature review of resources concerning guitar method, literature related to the guitar and orchestra, analysis of guitar concertos, and materials concerning guitar concertos. The third, fourth and fifth chapters will consist of the theoretical analysis and practical analysis of each movement of Concierto de Aranjuez. Theoretical analysis will include: structural analysis; study of the solo guitar part; orchestration; texture; folkloric elements; suggestions about errata and missing dynamics. Conductor’s guide will include: sound balance; beat patterns; bowings and bow distribution; problematic issues that concern the conductor, soloist and orchestra; conductor-soloist relationship and orchestra-soloist coordination. Chapter 6 will provide useful tips for conducting guitar concerti in general and information about the amplification and microphones. The concluding chapter will summarize the essential information for conductors and soloists presented in previous chapters. The expected outcomes will be classified into two categories, conductor’s guide to Concierto de Aranjuez and conductor’s guide to the guitar concerto in general. This chapter will also suggest a potential direction for future research concerning the guitar...